Ambrose Bierce 1842-1914
In 1914, when he was
seventy-one, Ambrose Bierce left the United States to report on the Mexican Revolution
as an observer with the, rebel army of Pancho Villa. One month after he arrived he wrote
to a friend, "Pray for me—real hard." Shortly afterward Bierce disappeared, never to
be seen again, and his mysterious fate has fascinated his biographers and his readers
almost as much as the details of his misanthropic life. Bierce was born the child of poor farmers at
Horse Cave Creek, Meigs County, in southeast Ohio. When he was four his family moved to a farm in
Indiana, where he went to school. His
parents' religious fervor left him with a
lifelong hatred of faith and piety; his unhappy childhood is partially reflected in his stories filled with
deaths, maimings, and the separations of parents, children, and families.
When Bierce was
fifteen he went to work as a printer's devil (apprentice) on an antislavery
newspaper in Indiana. Later he attended
the Kentucky Military Institute for a year.
And in 1861, with the outbreak of the Civil War, he enlisted in the
Union Army. Bierce served with
distinction throughout the war, rising from the rank of private to lieutenant
and finally, to the rank of
brevet major, He re-enlisted twice and fought in some of the greatest and
bloodiest battles of the war: Shiloh, Chickamauga, Lookout Mountain, Missionary Ridge.
Following the war, Bierce went west,
first working in the San Francisco Mint but gradually establishing a career as
a journalist, polemicist, and fiction writer.
He spent the years from 1872 to 1876
in London, where his slashing brand of journalism won him fame and the title "Bitter Bierce.” But he returned to California to write for
William Randolph Hearst's San Francisco Examiner. Bierce's
writing, especially his fiction, was sardonic and obsessed with death. It has been said that "Death" was
perhaps "his only character". In fact, the idea of death was not only
central to Bierce's writing, it dominated his life. His early and crucial experiences in the
Civil War had brought him face to face with
a horrible and futile slaughter that had destroyed his youthful, romantic optimism. And in his later life Bierce was tortured by
personal and professional disasters: friends
and relatives fought bitterly with him; became estranged, committed suicide, died tragically.
He grew increasingly cynical and malevolent, his writing vitriolic,
filled with invective.
Excerpts from his
popular Devil's Dictionary appeared from 1881 to 1906; it was a collection of
waspish, witty epigrams and definitions that reflected the tone and flavor of much of his work. He defined "bride" as "a woman
with a fine prospect of happiness behind her"; "Christian" as one
who believes that the New Testament is a divinely inspired book admirably suited to
the spiritual needs of his neighbor"; "birth" as The first and
direst of all disasters." From 1867 until his disappearance, Bierce was a
major figure in the development of American literal); realism. He wrote essays, short stories, and major
journalistic pieces. He was called a
'West Coast Samuel Johnson," and his cynical and scathing newspaper articles
were enormously popular But his finest achievement is found in his short stories, tales about
men trapped in the labyrinths of endless struggle, blinded by folly and romantic hope,
abandoned to ,a cold and brutal
providence.
FURTHER READING: Collected
Works of Ambrose Bierce, 12 vols., ed. W. Neale,
1909-1912; Ambrose Bierce: Skepticism and Dissent, ed. L. Berkove, 1980; The Letters of
Ambrose Bierce, ed.
B. Pope, 1922, 1967; V.
Starrett, Ambrose Bierce, 1920; C. Grattan, Bitter Bierce, 1929;
C.
McWilliams, Ambrose Bierce: A
Biography, 1929, 1967; P. Fatout, Ambrose Bierce: The Devil's Lexicographer, 1951; P. Fatout, Ambrose Bierce and
the Black. Hills, 1956; R. 0
'Conner, Ambrose Bierce: A Biography, 1967;
M. Grenander, Ambrose Bierce, 1971; S. Woodruff,
The
Short
Stories of Ambrose
Bierce, 1964; Critical Essays on
Ambrose Bierce, ed. C. Davidson,
1982; L.
Berkove, Ambrose Bierce: A Braver Man than Anybody Knew, 1983; C. Davidson,
The
Experimental Fictions of Ambrose Bierce, 1984;
R. Morris, Ambrose Bierce:
Alone in Bad Company, 1995; L. Berkove, The Moral Art of Ambrose Bierce, 2002; D. Blume, Ambrose Bierce's
Civilians and Soldiers in Context, 2004.
TEXT: Thies of Soldiers
and Civilians, 1892.
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